Feminae: Medieval Women and Gender Index
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12 Record(s) Found in our database
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1.
Record Number:
44762
Author(s):
Contributor(s):
Title :
Llanthony Story #36: Bishop’s vision of Mary
Source:
The Llanthony Stories: A Translation of the
Narrationes aliquot fabulosae
. Edited by David R. Winter . Pontifical Institute of Mediaeval Studies, 2021. Pages 88 - 89.
Year of Publication:
2021.
2.
Record Number:
11750
Author(s):
Fassler, Margot.
Contributor(s):
Title :
Music and the Miraculous: Mary in the Mid-Thirteenth-Century Dominican Sequence Repertory [The early Dominicans felt a special closeness to the Virgin Mary. This was expressed in hymns like the "Salve regina," and in special liturgical sequences for Saturday devotions to Mary. The order, guided by Humbert of Romans, created a unified liturgy that drew upon Parisian models. These were adapted to Dominican needs, including by editing existing compositions, and new compositions were prepared after Humbert's time. Title note supplied by Feminae.].
Source:
Aux origines de la liturgie dominicaine: Le manuscrit Santa Sabina XIV L 1. Edited by Leonard Boyle and Pierre-Marie Gy . École française de Rome, 2004. Pages 229 - 278.
Year of Publication:
2004.
3.
Record Number:
5884
Author(s):
Contributor(s):
Title :
The Theotokos as Protectress: The "Akathistos Hymn" and the Siege of Constantinople
Source:
Byzantine Studies Conference. Abstracts of Papers , 27., ( 2001): Pages 4
Year of Publication:
2001.
4.
Record Number:
10183
Author(s):
Psaki, F. Regina.
Contributor(s):
Title :
Women's Voices and Medieval Song: An Interview with Anne Azéma and Shira Kammen [Azéma and Kammen performed medieval music for the "Medieval and Renaissance Lyric" course at the University of Oregon. Afterwards the students and teacher (F. Regina Psaki) asked the two musicians about their performance practice, troubadour verse and music, and the various kinds of evidence that informed their repertoire. Title note supplied by Feminae.].
Source:
Medieval Feminist Forum , 32., (Fall 2001): Pages 14 - 23.
Year of Publication:
2001.
5.
Record Number:
6853
Author(s):
Williamson, Magnus.
Contributor(s):
Title :
Royal Image-Making and Textual Interplay in Gilbert Banaster's "O Maria et Elizabeth" [The author argues that Banaster's motet was commissioned to celebrate Elizabeth of York's Pregnancy in 1486 through music for the Feast of the Visitation. Henry VII was anxious to bolster Tudor legitimacy and an heir from Edward IV's daughter was greatly desired. The Latin text and translation of "O Maria et Elizabeth" is reproduced on pages 244-245. The appendices reproduce Banaster's poem, "Miraculum sancti Thome martyris," which was written in English and a list of the corrodies granted by the Crown to Banaster. Title note supplied by Feminae.].
Source:
Early Music History , 19., ( 2000): Pages 237 - 278.
Year of Publication:
2000.
6.
Record Number:
4438
Author(s):
Boenig, Robert.
Contributor(s):
Title :
Alma Redemptoris Mater, "Gaude Maria," and The Prioress's Tale [The author describes the difficulty of "Gaude Maria" and suggests that Chaucer chose "Alma Redemptoris Mater" instead because it is much easier to sing and emphasizes the clergeon's young age and vulnerability].
Source:
Notes and Queries , 3 (September 1999): Pages 321 - 326.
Year of Publication:
1999.
7.
Record Number:
3991
Author(s):
Fassler, Margot.
Contributor(s):
Title :
Composer and Dramatist: "Melodious Singing and the Freshness of Remorse"
Source:
Voice of the Living Light: Hildegard of Bingen and Her World. Edited by Barbara Newman . University of California Press, 1998. Notes and Queries , 3 (September 1999): Pages 149 - 175.
Year of Publication:
1998.
8.
Record Number:
3487
Author(s):
Bloxam, M. Jennifer.
Contributor(s):
Title :
Plainsong and Polyphony for the Blessed Virgin: Notes on Two Masses by Jacob Obrecht
Source:
Journal of Musicology
(Full Text via JSTOR) 12, 1 (Winter 1994): 51-75.
Link Info
Year of Publication:
1994.
9.
Record Number:
3620
Author(s):
Dobrov, Gregory W.
Contributor(s):
Title :
Voicing the Virgin: Dialogic Invention of the Theotokos in the Sixth-Century Kontakion
Source:
Byzantine Studies Conference. Abstracts of Papers , 20., ( 1994): Pages 9 - 10.
Year of Publication:
1994.
10.
Record Number:
11050
Author(s):
Bloxam, M. Jennifer.
Contributor(s):
Title :
La Contenance Italienne: The Motets on "Beata es Maria" by Compère, Obrecht, and Brumel [The author explores the influence of the "lauda," a popular Italian religious song, on three related motets in praise of the Virgin Mary. Title note supplied by Feminae.].
Source:
Early Music History
(Full Text via JSTOR) 11 (1992): 39-89.
Link Info
Year of Publication:
1992.
11.
Record Number:
8777
Author(s):
O'Gorman, Richard.
Contributor(s):
Title :
The "Stabat mater" in Middle French Verse: An Edition of Paris, Bibliothèque nationale, fr 24865 [The author discusses the relationship between this manuscript, which includes a Middle French version of the "Stabat mater," and five other manuscript versions. The Appendix presents editions of the text from BN fr 24865 and from the much different version in Poitiers, Bibliothèque Municipale 95. Title note supplied by Feminae.].
Source:
Franciscan Studies , 52., ( 1992): Pages 191 - 201.
Year of Publication:
1992.
12.
Record Number:
23295
Author(s):
Contributor(s):
Title :
Early 15th-Century Polyphonic Settings of Song of Songs Antiphons [The popularity of the Song of Songs in the Middle Ages has ties both to the cult of the Virgin Mary and to courtly love. The bodily imagery of the text could be applied to a spiritual or a carnal beloved. Dialogues between loved and beloved promoted the composition of duet passages in motets on the Song of Songs. When Psalm settings began to predominate in liturgical compositions, the Song of Songs became a source for passages in the more secular chanson-motets. Title note supplied by Feminae.]
Source:
Acta Musicologica , 49., 2 ( 1977): Pages 200 - 227.
Year of Publication:
1977.